CONTENT
WITH
CHARACTER.
Film and photography that give your brand a point of view. From the first idea to the final frame, we bring direction, production and finishing into one process.
THOMAS MRAZ — KUKLA
Music video / LED productionLET THE
WORK TALK.
Different brands. Different visual worlds.
A clear idea behind every frame.
EDIT
Campaign photographyA different kind of festive.
Photography: Damir Farkhshatov
BTTR
Product & lifestylePersonality in every frame.
Photography: Damir Farkhshatov
SPLASH
Fashion photographyTexture. Movement. Attitude.
Photography: Damir FarkhshatovTHE IDEA SETS
THE FORMAT.
We start with what the audience needs to see, feel or understand. Then choose the right production approach.
Brand & campaign films
A launch, a product story or a brand perspective. We shape the narrative, visual direction and production around the message you need to land.
Brand films · Product stories · Campaign videoCampaign photography
Fashion, products and people with a consistent visual point of view. Art direction, lighting, styling and composition work towards the same idea.
Fashion · Product · Lifestyle · EditorialSocial & short-form
Content planned for how people actually watch. We define the hooks, shot variations and edits before the shoot, so the material works across the agreed channels.
Reels · Vertical video · Campaign cutdownsMusic & creative projects
A visual world built around the artist, track or concept. Performance, narrative and production design come together in a distinctive piece of moving image.
Music videos · Performance films · LED environmentsPost-production
The work takes its final shape in the edit. Pacing, colour, sound and image finishing bring the material into one coherent set, ready for its intended use.
Editing · Colour grading · Sound · RetouchingGOOD WORK
STARTS BEFORE
THE SHOOT.
A clear brief. A prepared team. Room for the creative work to happen.
Define
What should the content do?
Audience, message, channels, budget and delivery list. We agree what needs to be made before planning how to make it.
Prepare
Make the shoot make sense.
Creative treatment, shot list, crew, talent, location and schedule. The production is built around an approved direction.
Produce
Bring the idea into frame.
Direction, lighting and capture, with attention to the main shots and the variations needed for the final assets.
Finish
Deliver a coherent body of work.
Selection, editing, grading or retouching, review rounds and final exports in the agreed formats.
ONE SHOOT.
A CONSIDERED
SET OF ASSETS.
The delivery list is part of the brief. We plan the main piece and supporting content together, with quantities, review rounds and usage agreed before production.
The main story
A campaign film, image series or creative project.
The supporting content
Cutdowns, alternate crops and platform-specific versions, where scoped.
The final handover
Approved files, organised exports and a clear record of usage.
BEFORE
WE ROLL.
A few practical questions, answered.
Can you develop the concept as well as shoot it?
Yes. We can build the creative treatment, visual references and shot plan, or produce from an existing approved concept. The creative direction and production scope are agreed at the start.
Can one shoot deliver both photography and video?
Yes, when it is planned that way. We agree priorities, crew, lighting, time and the asset list before the shoot. Stills and moving image need their own capture time; one is not treated as a free extra.
Do you offer one-off shoots or ongoing content?
Both can be scoped. A one-off project starts with a defined brief and delivery list. Recurring production needs an agreed cadence, formats, review process and production-day allowance.
What affects the production budget?
The concept, shoot days, crew, equipment, locations, talent, styling, post-production and usage requirements. We prepare a project-specific scope so the deliverables and any additional costs are clear.
How are usage rights and music handled?
Usage is agreed before production: channels, territory and duration, plus any talent, location, music or third-party licensing requirements. Raw footage, source files and additional usage are included only when specified in the scope.
What should we send to get started?
A short description of the brand or project, the objective, intended channels, references, timing and a budget range. If you do not have a finished brief, we can help shape it.
